Share this content:

Eurovision Song Contest 2026 will take place in spring 2026, bringing together artists from across Europe on one of the continent’s biggest musical stages. The contest continues to be a highlight of the year, combining national identity with modern pop performances.

In Greece, the path to Eurovision went through Sing For Greece 2026, the national selection that showcased some of the country’s most exciting contemporary acts. The competition was intense, with strong performances and memorable songs that captured the public’s attention.

One of the standout artists was Marseaux, known for her unique voice and three albums as “Kori,” “Chica,” and “Witch.” Her entry, “Χάνομαι (Hanome),” explored themes of lost innocence and personal growth. As she told us, “Every time I reach out, little Marseaux slips away,” perfectly capturing the emotion behind her performance. Before we will find out more about the singer, I invite you to dive into the musical experience of the artist, to get a taste of what to expect:

---

Can you tell us how your musical journey began? When did you first discover your passion for music, and what inspired you to pursue singing professionally?

From a very young age, I knew I would be involved in the arts. I was always dancing, performing in children’s theater groups, singing at home to my mom. I knew something was pulling me in that direction. During the three years of middle school, life brought me to perform as an actress in musicals in Athens. Then, at 16, I met Solmeister and WNC, and that’s how my journey in music truly began. Back then, my group and I were releasing a new track every Wednesday, and that whole process of inspiration and creation made me certain that this was what I wanted to do with my life. This is how I want to express myself to the world. I always felt like I had so much to say, but I didn’t know the way to say it.

Were there specific artists, genres, or moments from your childhood that shaped your musical identity?

I’ve always been a fan of pop music, as well as rap. Those were mainly my influences growing up, so I couldn’t ignore them. As I got older, I discovered Lana Del Rey and Billie Eilish, and I feel like they’ve played a huge role in the music we create with Solmeister, as well as in shaping me as an artist. When I was younger, I listened to Beyoncé, Lady Gaga, and Christina Aguilera all the time.

Looking back at your three albums — “Kori,” “Chica,” and “Witch”. How do you feel your sound has changed over time, and what key lessons did you learn from making those records?

I feel like each album represents a two-year chapter of my life, and therefore a different version of my personality. Every year that passed was defining for me, and I discovered many aspects of myself that I expressed through music. The biggest lesson I learned is to embrace myself in whatever state I’m in and to accept and love myself fully. I’m very proud of my discography because it accurately reflects Marseaux, and therefore I’m very proud of myself too.

That year made me feel like I had grown up too suddenly.

You have also collaborated with Helena Paparizou on songs like “Deja Vu” and “Kátse Kalá.” What was it like working with her, and how did her influence help shape your own artistic style?

I feel like Helena Paparizou is kind of like my artistic mom. I learned so many things from her. One of the most important lessons is that kind, generous, and genuine people always stand out and win in the end. Helena Paparizou is a true legend with the most beautiful heart I’ve encountered in this industry. Her immense talent shines even brighter because of her huge heart. I will forever be grateful not only for collaborating with her, but especially for getting to know her.

In 2026 you have participated in Sing for Greece with the song “Χάνομαι”. The song seems deeply personal and emotional. What does this song mean to you personally, and what feelings were you hoping to communicate with it?

Through “Hanome,” I wanted to capture the feeling of chasing your lost carefree spirit and childhood innocence that lived in your past self, and not being able to reach it. That year made me feel like I had grown up too suddenly. I felt like I couldn’t enjoy things people my age normally do because of responsibilities and my own personal anxiety about success. Every time I reach out, little Marseaux slips away…

Your performance at Sing For Greece was praised for its intensity and presence. How did you prepare for the stage, both vocally and visually?

Vocally, I started preparing several weeks in advance. I worked daily with my vocal coach, focusing mainly on breath control and maintaining stability during the more “fragile” moments of the song. “Hanome” has intense dynamic shifts: from very intimate, almost whispered parts to powerful outbursts. So I had to be able to convey emotion without losing my technical support. At the same time, I rehearsed as if it were a live show, incorporating movement and lighting, so my voice could withstand pressure. Visually, I wanted everything to serve the emotion of the song. We aimed to create an atmosphere that captured the sense of “loss” of my former self and inner conflict, while also following a Y2K aesthetic.

If what you present is authentic, people can feel it.

Although you didn’t win, you finished in 3rd place in the national final. How did you feel about the result, and what kind of feedback did you receive from your fans after the show?

After the first wave of intensity, I mostly felt gratitude. I realized that what mattered most to me was leaving something real on that stage. From the messages I received, I understood that this feeling came across. I believe success isn’t measured only by a trophy. It’s measured by the impact you leave behind. And judging from the love and support I received after the final, I feel like I won something just as important, the trust and connection with my audience.

What was the biggest lesson you learned about yourself or your artistic process during Sing For Greece 2026?

Definitely that I struggle a lot within the framework of any competition. I started making music with my friends in very “protected” environments, so this experience felt very unfamiliar to me. Through the whole process, I realized that no matter how much noise surrounds you, opinions, expectations, comparisons, at the end of the day, what remains is your truth. If what you present is authentic, people can feel it.

If you had to choose, what would be your all-time Top 3 Greek Eurovision representatives? Who would you rank in your Top 3, and what makes each of them special to you?

1. Helena Paparizou: Her 2005 victory with “My Number One” was a historic moment for Greece. But what makes her stand out to me isn’t just the trophy—it’s her stage confidence and the balance between pop energy and Greek elements. She was absolutely ready for the international stage and proved it. She’s a benchmark for all of us.
2. Eleni Foureira: For me, she remains one of the strongest stage presences the Greek scene has produced. “Fuego” in 2018, even she was representing Cyprus, changed the standards for performance—dance, confidence, star quality. She showed what it means to truly own the stage.
3. Sakis Rouvas: He has something timeless. Whether in 2004 or 2009, he always brought professionalism, glamour, and high-level pop aesthetics. He’s a performer in every sense of the word and paved the way for more contemporary, international productions from Greece.

What are your thoughts on this year’s winner, Akylas and his Eurovision entry “Ferto”?

Akylas deserved his victory with “Ferto.” It’s a strong, contemporary track with a clear identity and powerful stage energy. He managed to combine a modern sound with emotion, wich plays a huge role in Eurovision. I think he presented a very smart and complete proposal, and he deserves congratulations.

Would you consider returning to Sing For Greece or even aiming for Eurovision again?

I always follow inspiration. I don’t operate with a strategy like “I have to go back.” I function through instinct and emotion. If the right song comes along, the kind that gives me chills from the very first moment and makes me feel that now is the time, then yes, of course I would do it. For me, everything starts with the song. If the right song exists, everything else finds its way.

---

Marseaux’s journey from her early musical experiences to the emotional depth of “Χάνομαι (Hanome)” at Sing For Greece 2026 shows her growth as an artist and her ability to connect deeply with the audience. With her unique voice, personal storytelling, and memorable stage presence, she continues to stand out as one of Greece’s most promising contemporary talents.

Watch her full performance of “Χάνομαι (Hanome)” at Sing For Greece 2026 clicking the link down below.

Stay tuned for more exclusive interviews with artists involved in the Eurovision phenomen!